Friday, September 16, 2011

Bold and Beatiful?

Is beauty in the eye of the beholder? That is a stance taken by most people when the subject of beauty comes up. Taken at face value, it is meant to say that we all have our quirks and foibles and as such our own opinions on the beautiful. That's fine, too, so far as it goes. Without a bit of individual interpretation an awful lot of very good things might go unrecognized.

Too often, though, it is not taken at face value. It is often intended as a way of dismissing any claim which propriety or objective analysis of art and objects may have against what makes something beautiful. On that level, it at the least makes art valueless. At the most, it is dangerous to our very psychological well being.

Why should there be no standards for beauty? Why should we not be able to know and employ them? We do and know and apply standards to so much else; why should the beautiful be any different? What can we really know about art and beauty if we have no way of judging them anyway? Indeed it can open us up to certain ironies, areas where what think awful may actually be lovely.

I remember a nun back when I was in Catholic schools who couldn't hold a musical note in a bucket: God love her, her voice was terrible. Yet when I hear it now, I realize that it in fact had a certain beauty in it which made it endearing. She belted out those hymns, by gosh, a Joyful Noise Unto the Lord, and it really was a joyful noise.

Aethetics, I believe Aristotle called it. A way to judge the beautiful from the horrendous. It is a subject on which I think we need to spend more time and effort.

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